Part of the mass appeal of this film, of course, is the amount of excess involved in its production and story line. From the amount of detail in the set design, costumes and even dialogue (it's all very silly, especially the rivalry between Mozart and Salieri)--it never ends. The universe the film creates is both effortless and endless, and a treat for the eyes.
Monday, May 2, 2016
AMADEUS
I love this film so much. I was immensely grateful to see it at the Tampa Theater a few months ago (the director's cut, too!) I felt like the theater's architecture and setup (the organ player that rises to the stage! that old world statuary and gargoyles galore!) created the perfect ambience and heightened my viewing experience.
Part of the mass appeal of this film, of course, is the amount of excess involved in its production and story line. From the amount of detail in the set design, costumes and even dialogue (it's all very silly, especially the rivalry between Mozart and Salieri)--it never ends. The universe the film creates is both effortless and endless, and a treat for the eyes.
Part of the mass appeal of this film, of course, is the amount of excess involved in its production and story line. From the amount of detail in the set design, costumes and even dialogue (it's all very silly, especially the rivalry between Mozart and Salieri)--it never ends. The universe the film creates is both effortless and endless, and a treat for the eyes.
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